This is an analysis of the painting/drawing and of two "monumental" visual texts, BATTLEFIELDLIST/CHAMPDEBATAILLE, by the contemporary woman artist/poet Cozette de Charmoy, for whom the image of the battlefield has remained central since the 1970s. The article draws out the internal structures of her work with reference to the legacy of European cultural production concerned with war, and within a theoretical framework of war and culture studies on gender and the body.
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机译：这是对当代女画家/诗人科泽特·德·夏莫伊（Cozette de Charmoy）的绘画/绘画以及两个“纪念性”视觉文字“ BATTLEFIELDILLDLIST / CHAMPDEBATAILLE”的分析，自1970年代以来，他们的战场形象一直是中心。这篇文章参考了与战争有关的欧洲文化生产的遗产，并在关于性别和身体的战争与文化研究的理论框架下，提出了她作品的内部结构。
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